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Cinema
He was an actor who, even in the weakest films he appeared in, brought class and dignity
It’s all fine. Anya Taylor-Joy is fine as the vengeful heroine. Chris Hemsworth is fine as the lightly maudlin villain
It’s better than James Bond because it is missing the grim portentousness, over-earnestness and pomposity
Maestro’s star and director has pulled off a piece of cinematic chutzpah
A high-concept dark comedy about celebrity and cancel culture
The film director’s long-anticipated memoir is a dervish dance of anecdotes within which the real life still remains secret
The legendary director’s latest contains gripping performances, lush cinematography and a superbly clever end — but it does drag
If the hype is any indication, the answer is yes
We may be seeing the death throes of cinema as we know it
The recreations of the battles of Austerlitz and Waterloo, among others, look peerless
