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‘We’ve dedicated this issue to the much-discussed but sometimes nebulous subject of “post-liberalism”. The Spectator has always supported liberty and will continue to, but, as Tim Stanley suggests, liberalism may now need saving from itself.’
Books April 1, 2020
Bluestockings of Bloomsbury
Square Haunting: Five Writers in London Between the Wars by Francesca Wade reviewed
Books April 1, 2020
Cosmopolis
Migrant City: A New History of London by Panikos Panayi reviewed
Art April 1, 2020
The Irish question
Sebastian Barry talks about his new play, On Blueberry Hill
Books April 1, 2020
On the road again
The Meaning of Travel: Philosophers Abroad by Emily Thomas reviewed
Books April 1, 2020
Death in the Cape
Something of Themselves: Kipling, Kingsley, Conan Doyle and the Boer War by Sarah LeFanu reviewed
Art April 1, 2020
The universal cartoon
Is there a single image that fits any caption? Perhaps there is…
Art April 1, 2020
Finger pickin’ good
Banjo virtuoso Béla Fleck has reinvented his instrument and retraced its roots
Art April 1, 2020
The refreshing darkness of Netflix’s Locke & Key
The world before woke
Books April 1, 2020
Apocalypse soon
The Decadent Society: How We Became the Victims of Our Own Success by Ross Douthat reviewed
Books April 1, 2020
Prince of Europe’s long peace
Metternich: Strategist and Visionary by Wolfram Siemann reviewed
Art April 1, 2020
Some of the best Austen adaptations are the most unfaithful
Undoubtedly the freshest version of Emma was the one that looks least like it: Clueless
